Three-time Oscar winning cinematographer Robert Richardson (JFK , T...
Three-time Oscar winning cinematographer Robert Richardson (JFK , The Aviator and Hugo) shot The Good Shepherd on film, with post-production on a digital intermediate. With the film's period-specific demands delegated primarily to the Oscar-nominated production design, Richardson's lighting can be roughly divided into two styles. One is a well-lit, cool, "man in a gray flannel suit" style desig...
Three-time Oscar winning cinematographer Robert Richardson (JFK , The Aviator and Hugo) shot The Good Shepherd on film, with post-production on a digital intermediate. With the film's period-specific demands delegated primarily to the Oscar-nominated production design, Richardson's lighting can be roughly divided into two styles. One is a well-lit, cool, "man in a gray flannel suit" style designed to convey the ordinariness of Matt Damon's Wilson as he blends into his workaday surroundings.