Ant-Man and the Wasp

Paul Rudd and Evangeline Lilly reunite in a tiny-superhero Marvel sequel that's faster, funnier, and more cunningly confident than the original.

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Marvel takes a break with the zippy Ant-Man And The Wasp

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It’s funny how little things, like personality, can lift a movie. Ant-Man and the Wasp features kinetic action sequences, but what makes it zing is that Mr. Reed has figured out how to sustain the movie’s intimacy and its playfulness, even when bodies and cars go flying.

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With no burden to juggle dozens of characters like his other Marvel brethren, Reed gets by on the simple elements he knows will land.

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Paul Rudd and Evangeline Lilly bring thrills, spills and screwball-comedy sparks to a breezy Marvel movie

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Scott "Ant-Man" Lang may be a superhero, but his accomplishments are all so heavily qualified—mostly because he never manages to save the day without alienating his friends and loved ones—that his sense of self-worth is constantly reduced to human scale.

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The film is committed to the idea that heroism isn’t a burden but an uplifting realization of our best qualities.

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With superhero sting, Evangeline Lilly leads fun-loving 'Ant-Man and the Wasp'

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After the bummer ending of “Infinity War,” here’s the MCU at its zippiest and silliest

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Yes, the action sequences are hilarious, and yes, the design department gets to cut gloriously loose with the kaleidoscopic, shifting microverse of the Quantum Realm, but this is first and foremost about family.

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Marvel’s brighter follow up to the original is a high-flying epic with a tighter focus.

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Ant-Man And The Wasp is the kind of playtime entertainment suited for Scott Lang's better-when-on-a-team personality, loaded with size-shifty sight gags and lower stakes worth Paul Rudd's ensemble stardom.

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Ant-Man and the Wasp is a forgettable Marvel caper

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Peyton Reed's sequel stars Paul Rudd as the titular Marvel superhero, along with Evangeline Lilly, Michael Douglas and franchise newcomer Michelle Pfeiffer.

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As “Guardians” and, later, “Deadpool” doubled down on the snark, “Ant-Man” kept things light, its playfulness made all the more endearing by the boyish, twinkle-eyed persona of its star, Paul Rudd.

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Ant-Man and the Wasp Has Stakes as Small as Its Superheroes But It’s Hard to Dislike

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“Ant-Man and the Wasp” Is No “Ant-Man”

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Two years after backing Cap in Civil War, Scott Lang (Paul Rudd) is house-arrested and trying to balance fatherhood with running his security firm. But Hope Van Dyne (Evangeline Lilly) and Hank Pym (Michael Douglas) need his help once more, wrangling with a ghost from their past — as well as a troublesome Ghost (Hannah John-Kamen) in their present.

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Reed, a comedic wizard, generates some moments of giddy wonder, but the earlier film’s freewheeling, low-key loopiness is replaced by a dull and dutiful plot that, with its forced references to other Marvel installments, squeezes the action to fit the franchise.

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Oh, how the tiny have fallen.

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